B Thomas, Kochi
Wednesday, 7 October 2026
Saturday, 3 October 2026
Bastogne: Let Us Remember, So That We May Not
Repeat
The siege
of Bastogne. The Battle of the Bulge. Dunkirk. Normandy. Stalingrad. The
terrible march of armies across Europe towards Berlin.
We
remember these battles not to glorify war, but to remember what war does to
human beings.
The
television series Band of Brothers (2001) brought many of these events
painfully close to us. The episode on Bastogne, in particular, leaves behind
something more profound than the memory of military strategy or battlefield
victory.
It leaves
us with the wounded.
In the
frozen winter of Bastogne, soldiers of the Easy Company 506th
regiment of 101st Airborne Division endured hunger, cold, bombardment and
unimaginable injuries. Among the people caring for them is a nurse who seems to
possess an extraordinary touch of grace. Her touch calms even the most severely
wounded soldiers. She herself does not understand it until a young doctor tells
her that his friend’s grandmother possessed the same spiritual gift—the ability
to bring peace and healing through her touch.
Yet both
the doctor and the nurse have become emotionally numb. The sheer number of
dead, mutilated and dying soldiers has overwhelmed their hearts.
That is
perhaps one of the most terrible wounds of war: sometimes the living are
wounded so deeply that they can no longer feel.
The
German forces demanded the surrender of Bastogne. The American commander,
General McAuliffe, famously replied with a single word: “Nuts!” The
siege continued, and the town came under devastating bombardment.
Then
comes one of the most heartbreaking moments of the story.
The young
doctor returns from the front with wounded soldiers to the makeshift hospital
established in the church. But the street has been destroyed by bombing. The
hospital has disappeared beneath the ruins.
Among the
debris, he finds a small piece of the nurse's headscarf. That tiny fragment
says more about war than all the maps, arrows and military statistics ever
could. A life has disappeared. A person who brought comfort to the dying has
herself become one of the countless casualties of war.
And this
is why we must remember. We remember Bastogne, not because war is glorious, but
because war is terrible. We remember Dunkirk and Normandy. We remember
Stalingrad and the long Soviet march to Berlin. We remember the millions who
died on every side; not merely as soldiers belonging to armies, but as fathers,
mothers, sons, daughters, husbands, wives and friends.
History
must not become a collection of heroic battles that teaches us to admire war. It
must become a warning.
War is
not the answer.
We are not politicians, nor do we claim to understand the calculations of
those who lead nations. We are simply people who have seen enough of history to
know what war can do to the human heart. We remember Bastogne, Stalingrad,
Normandy and Berlin not to celebrate the battles, but to remember the countless
human beings who disappeared into them.
October is the month of Mary. And the call of the white-robed patriarch is a
call to pray for peace and for the end of war. May that prayer rise from
churches, homes and streets across the world. May it be heard by those who have
the power to stop wars. And, above all, may it be heard by the Creator. We, the
ordinary people of the world, do not have much. Our families, our little homes,
our friendships, our work, our faith, our laughter and our peace are precious
to us. Peace and joy are almost everything we have. Let us not lose
them.
And may the God who created us all teach us to choose life over destruction,
reconciliation over hatred, and peace over war.
Let
us remember, let us pray, and let us hope.
Friday, 12 June 2026
...an old Argentine Fan!
Monday, 1 June 2026
Lori Lieberman, a young lady in her early twenties, went to the Truberdor Bar to listen to this particularly talented young man who played there and was becoming popular with his style. While she was there the young man, who was Don McLean, played his melancholy and heart pulling number "Empty Chairs.." which took young Lori's heart for a ride. She felt his words were straight out of her life, he was reading her letters loud, she felt feverish and embarassed and wished he would finish but kept right on...
The next day Lori discussed her experience with her associates Charles Fox and Norman Gimbley with whom she was discussing the making of a record. Norman took the clues from her talk and wrote the song giving the title "Killing me softly with his song" which was inspired by some Blues singers whom he met earlier who sang songs like "Killing me softly with his Blues". They recorded the song which Lori Lieberman sang in the year 1972.
Roberta Flack, an already established Afro-American singer, was on a flight when she heard this song on the airplane's song collection. She was so struck by the song, she asked the stewardess to replay that song for her repeatedly while her musical mind took down the lyrics and made mental correction and adjustments to the Lori's song.
Immediately after she got off the plane, she called Quincy Jones to contact the writers of the song and request the permission/right to sing the song. She started practicing the song with her band at Jamaica, the way she wanted it to be played but did not record it. While performing on stage for an organiser, after her set encore, they asked her play something new if she had. She said, yes, there is a song we are practicing and gave it a try.
The audience went berserk after listening to the song and their reaction prompted the organizer to comment, " Baby don't you play this song ever again, before recording it".
Within a month the song was recorded and released and rose to the status of the most popular song of the year and one of the few all time hits.
Thus, Lori Lieberman's emotions while listening to a Don McLean performance became the most popular hum of a generation through another singer's voice while Lori's own song was sideline. One can imagine what it would have done to a sweet young lady like Lori, emotionally. She kept on with her writing and composed and song many other songs and albums though she left the space for a long time after the "Killing me softly with his song.." experience.
An year without Maradona
Indira Gandhi’s assassination in 1984 and her nationally televised cremation ceremony was an event which was watched by our whole nation, it was more or less an introduction of the visual media and TV to our nation. Many of us did not have TV then, we walked miles and went to those houses where they had. Everybody co-operated.
I was in my
school final in 1986 when the world cup came. By then we had a black and white
Keltron TV that came in a case with shutter. It was on that TV our generation
watched and experienced the first global event – The FIFA world cup of 1986.
That was undoubtedly
Maradona’s world cup. With his game, talent and spirit he won us over and made
us a fan of him and his country, Argentina, a country we had not heard about.
Maradona became our hero. Excessive fouling and harsh man marking did not let
him be as successful in 1990 world cup as he was in 1986 and in the one that
followed in 1994 he was disgraced and banned for use of unacceptable drugs.
For the way he
made us feel and experience the peaks of joy and excitement in 1986 he stayed
in our heart as our hero and we went through all the bad news about him with a sad heart and kept only the memories of the game he once played.
It's going to be an year since he is
gone, but the memories will not go away from
our hearts till we die.
Thank you Diego,
for your life and making that fleeting part of our lives in 1986 when the way
you played football ruled our hearts and made it the best times of our lives.

